196 Free Images of Salamanca In Art

prints by antonio salamanca engraving metropolitan museum of art prints of mythology in the metropolitan museum of art prints by master of the die story of cupid and psyche designed by michiel coxie master of the die rogers fund - prints recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)francisco javier parcerisa

Capilla de Mosén Rubín (Ávila) (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)exterior of the chapel of mosén rubí

Restos del Castillo (Arévalo) (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)castle of arévalo

Interior de la Catedral de Ávila (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)interior of the cathedral of ávila

Plate 11: Psyche gives presents to her sisters, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Speculum Romanae Magnificentiae: The Base of the Column of Theodosius, Marcantonio Raimondi

engravings by marcantonio raimondi in the metropolitan museum of art prints by antonio salamanca

The birth of Saint John the Baptist set within a classical building, Giulio Bonasone, circa 1531–76

prints by antonio salamanca giulio bonasone

Triptych of the Descent from the Cross by Jan Gossaert - Left wing, Jan Gossaert, 1521

two wings from the so-called salamanca triptych (1952.85a-b) by jan gossaert religious paintings in the toledo museum of art

Puerta del Alcázar (Ávila) (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)walls of ávila, puerta del alcazar

Self-portrait, Juan Carreño de Miranda, circa 1680

juan carreño de miranda in art baroque

Plate 4: Psyche's father consulting the oracle, from 'The Fable of Psyche', Michiel Coxie, 1530–60

prints by master of the die prints by antonio salamanca

Plate 5: Psyche carried on a litter to a mountain, from 'The Fable of Psyche', Master of the Die, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, Marcantonio Raimondi, circa 1530–60

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

Lucretia naked and seated before a window, a dagger in her right hand and holding drapery in her left, Parmigianino, circa 1535–67

high renaissance,mannerism enea vico

Speculum Romanae Magnificentiae: The Lion Hunt, Marcantonio Raimondi, circa 1500–1534

engravings by marcantonio raimondi in the metropolitan museum of art prints by antonio salamanca

Speculum Romanae Magnificentiae: Temple near the Appian Way, Antonio Lafreri

speculum romanae magnificentiae (mirror of roman magnificence)unidentified artists

Plate 15: Psyche relating her misfortunes to her sisters, from The Fable of Psyche, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 12: Psyche's sisters persuade her a serpent is sleeping with her, from 'The Fable of Psyche', Michiel Coxie, 1530–60

prints by master of the die prints by antonio salamanca

Plate 22: Venus ordering Psyche to Sosort a heap of grain, from the 'Fable of Psyche', Michiel Coxie, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

Plate 6: Zephir carrying off Psyche to an enchanted palace, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Ábside de la Basílica de San Vicente (1865) - Parcerisa, F. J., Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)exterior of the basílica de san vicente, ávila

Detalles de la puerta principal de la Basílica de San Vicente (1865) - Parcerisa, F. J., Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)exterior of the basílica de san vicente, ávila

Catedral de Ávila - detalles de la puerta lateral (1865) - Parcerisa, F. J., Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)north facade of the cathedral of ávila

Speculum Romanae Magnificentiae: Bacchus Surrounded by Putti with Priapus holding back the curtain, Master of the Die

prints by antonio salamanca prints by raffaello sanzio

Plate 2: the people rendering divine honors to Psyche, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 3: Psyche's two sisters are married to kings, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 10: nymphs assisting Psyche to dress her hair, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 1: Apuleius changed into a donkey listening to the story told by the old woman spinning, Michiel Coxie, 1520–70

prints by master of the die prints by antonio salamanca

Plate 14: Cupid airborne gleeing from Psyche, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 3: Psyche's two sisters are married to kings, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Fachada de la Basílica de Sn. Vicente (Ávila) (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)exterior of the basílica de san vicente, ávila

Interior de la Basílica de Sn. Vicente (Ávila) (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)interior of the basilica of san vicente, ávila

Vista lateral de la Basílica de San Vicente (1865) - Parcerisa, F. J., Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)exterior of the basílica de san vicente, ávila

Sepulcro de los mártires Vicente, Sabina y Cristeta (Ávila) (1865) - Parcerisa, F. J., Francisco Javier Parcerisa

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)sepulcro de los santos mártires, basilica of san vicente, ávila

Plate 30: Venus and Cupid pleading their case in the presence of Jupiter and other Gods, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Venus in her dove-drawn chariot complaining to Jupiter who is accompanied by Mercury, from 'The Fable of Psyche', Master of the Die, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

Bacchus surrounded by Putti, a statue of Priapus at right, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 7: Psyche attended in her bath, from the Story of Cupid and Psyche as told by Apuleius, Agostino Veneziano, 1530–60

prints by agostino veneziano in the metropolitan museum of art prints by antonio salamanca

Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome, Marcantonio Raimondi, circa 1500–34

engravings by marcantonio raimondi in the metropolitan museum of art 16th-century artwork by unknown artists from italy

Plate 31: Gods celebrating the wedding of Cupid and Psyche, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 6: Zephyr carrying Psyche to an enchanted palace, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Ábside y frontis de la Iglesia de Gómez Román (Arévalo) (1865) - Parcerisa, F. J., Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)hermitage of la lugareja (arévalo)

Puerta principal de la Basílica de Sn. Vicente (Ávila) (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)west portal, basilica of san vicente, ávila

Puerta principal de la Basílica de San Vicente (1865) - Parcerisa, F. J. (detalles), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)west portal, basilica of san vicente, ávila

Estatuas de la puerta lateral del norte de la catedral de Ávila (1865) - Parcerisa, F. J., Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)west facade of the cathedral of ávila

Plate 17: Venus chastising Cupid, who sits on a bed, with Psyche at right, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Geboorte van Maria, RP-P-1888-A-12476, Cornelis Cort, 1568

works by antonio salamanca in the rijksmuseum amsterdam prints by cornelis cort in the rijksmuseum amsterdam

Speculum Romanae Magnificentiae: Temple-Altar of Jove, as a Youth, Marcantonio Raimondi

engravings by marcantonio raimondi in the metropolitan museum of art prints by antonio salamanca

Satyr carrying a nymph, whose right arm is wrapped around the satyr's neck, with a planar background, Giulio Romano, circa 1505–62

engravings after giulio romano mannerism

Juan Carreño de Miranda (detalle), Juan Carreño de Miranda

juan carreño de miranda in art baroque

Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, Agostino Veneziano, circa 1520–36

prints by agostino veneziano in the metropolitan museum of art prints by antonio salamanca

Plate 32: Cupid and Psyche in the nuptial bed, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 10: Nymphs dressing Psyche's hair, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 9: Cupid and Psyche on a bed, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 4: Psyche's father consulting the Oracle, accompanied by another king, from the Story of Cupid and Psyche as told by Apuleius, Agostino Veneziano, 1530–60

prints by agostino veneziano in the metropolitan museum of art prints by antonio salamanca

Apollo tending the flocks of Admetus, Apollo seated holding a lyre and flanked by a cow and a dog, a serpent winding around a dead tree at right, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art works by giovanni giacomo de rossi

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, Nicolaus van Aelst, circa 1530–60

engravings by marcantonio raimondi in the metropolitan museum of art anonymous, italian, 16th to early 17th century

Juan Carreño de Miranda, Juan Carreño de Miranda

juan carreño de miranda in art baroque

Plate 8: Psyche seated at a table and attended by invisible servants, Eros beside the goddess, from 'The Fable of Cupid and Psyche.', Michiel Coxie, 1530–60

prints by master of the die prints by antonio salamanca

Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, Master of the Die, 1530–60

prints by master of the die prints by raffaello sanzio

Plate 2: People rendering divine honors to Psyche, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 14: Psyche kneeling in the foreground as Cupid flees from her, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 27: Proserpine give Psyche the box of beauty, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 19: Ceres at right, leaning on a pedestal, refusing to assist Psyche, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 29: Cupid begging Jupiter to have mercy on Psyche with Mercury at left, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 12: Psyche's sisters persuading Psyche that she has been sleeping with a serpent, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 24: Venus and Psyche standing at right, pointing to the underworld at center, into which Psyche enters, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 23: Psyche on the order of Venus departing to find the golden fleece, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 11: Psyche offering presents to her sisters who also appear on the clouds at upper right, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 1: Apuleius changed into a donkey, listening to the story told by the old woman, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by master of the die matteo gregorio rossi

Feniks, RP-P-OB-38.611, Master of the Die, ca. 1530 - ca. 1560

prints by master of the die in the rijksmuseum amsterdam the illustrated bartsch 76

Plate 20: Juno, standing at left, sends away Psyche, who kneels before her, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 3: Psyche's two sisters are married to kings, with Psyche standing at left, accompanied by another king, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 25: Psyche setting off in Charon's boat, ignoring the old man at left who requests alms, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 26: Psyche enters the underworld giving an offering to Cerberus, with two elderly women at left, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 5: Psyche, seated, being taken to a mountain with a musical troupe lead the way, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 15: Psyche telling her sisters about her misfortunes, with her sisters falling off of a precipice at upper left, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 30: Venus and Cupid pleading their case before Jupiter and other Gods with Mercury transporting Psyche to the heavens at lower right, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 22: Venus standing at right ordering Psyche to sort a pile of grain, at left the same pair hold a loaf of bread, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Retrato de José Villaamil, Antonio María Esquivel

19th-century portrait paintings in the royal academy of fine arts of san fernando male portrait paintings by antonio maría esquivel

Plate 16: A white bird tells Psyche of Cupid's illness, as she rides dolphins on the sea accompanied by tritons and nereids, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 18: Venus in her dove-drawn chariot complaining to Jupiter, who is accompanied by Mercury and an eagle, at left Mercury has descended to earth, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Ramiro II de León, José María Rodríguez de Losada

retratos de los reyes de león y castilla (josé maría rodríguez de losada)ramiro ii of león in paintings

Portrait of Cardinal Pedro de Salazar, José Ignacio Cobo y Guzmán, Ca. 1700-1725

portrait paintings in the museo de bellas artes de córdoba pedro de salazar y gutiérrez de toledo

Nicolás Antonio, Domingo Martínez

domingo martínez nicolás antonio

Psyche in de veerboot van Charon Verhaal van Amor en Psyche (serietitel), RP-P-H-H-816, Michiel Coxie, ca. 1530 - ca. 1560

story of amor en psyche after michiel coxie (rijksmuseum)the illustrated bartsch 63

Portrait of Don Diego de Corral y Arellano, Diego Velázquez, circa 1632

diego del corral y arellano, by velázquez (museo del prado)baroque

Piramide van Cestius Speculum Romanae Magnificentiae (serietitel), RP-P-OB-207.583, Ambrogio Brambilla, ca. 1580 - ca. 1599

works by antonio salamanca in the rijksmuseum amsterdam pyramid of caius cestius (rome) in art

Amor ontsnapt over zee Sic ruga violenta monet (titel op object), RP-P-1934-397, Marco Dente, between 1517 and 1562

prints after marco dente in the rijksmuseum amsterdam cupid in art

Lateraanse Obelisk op Piazza di San Giovanni in Laterano te Rome Speculum Romanae Magnificentiae (serietitel), RP-P-2016-345-46, Ambrogio Brambilla, 1589

works by antonio salamanca in the rijksmuseum amsterdam lateran obelisk in art

Flaminische obelisk op Piazza del Popolo te Rome Speculum Romanae Magnificentiae (serietitel), RP-P-OB-38.848, in of na 1655

works by antonio salamanca in the rijksmuseum amsterdam mannerism

Flaminische obelisk op Piazza del Popolo te Rome Speculum Romanae Magnificentiae (serietitel), RP-P-2016-345-45, 1589

works by antonio salamanca in the rijksmuseum amsterdam mannerism

Egyptische obelisk op Piazza dell'Esquilino te Rome Speculum Romanae Magnificentiae (serietitel), RP-P-2016-345-47, 1589

works by antonio salamanca in the rijksmuseum amsterdam mannerism

Portret van Willem II, koning der Nederlanden, RP-P-OB-105.457, Johann Wilhelm Kaiser, between 1849 and 1894

portrait prints in the rijksmuseum amsterdam william ii of the netherlands in art

Wolvin met Romulus en Remus Lupae Romulum et Remum urbis conditores la ctantis antiquum ac aeneum in Capitolio signum (titel op object) Speculum Romanae Magnificentiae (serietitel), RP-P-2016-345-37, 1552

works by antonio salamanca in the rijksmuseum amsterdam capitoline she-wolf (musei capitolini) in art

Allegorie op de inhuldiging van Willem II, koning der Nederlanden op 28 november 1840, RP-P-OB-105.476, Hilmar Johannes Backer, between 1840 and 1845

prints by hilmar johannes backer in the rijksmuseum amsterdam lithographs in the rijksmuseum amsterdam

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